|
DCA Contest Recap 2002 Championship Preliminary |
C A R O L I N A G O L D |
N I G H T S T O R M |
H E A T W A V E |
S K Y L I N E R S |
I N S P I R E S |
R E N E G A D E S |
C O R P S V E T S |
G R E N A D I E R S |
H U R R I C A N E S |
C R U S A D E R S |
M I N N E S O T A B R A S S |
B U S H W A C K E R S |
C A B A L L E R O S |
E M P I R E S T A T E S M E N |
B U C C A N E E R S |
B R I G A D I E R S |
|||||||
| Date: | AUGUST 31, 2002 | ||||||||||||||||||||||
| Location: | SCRANTON, PA | ||||||||||||||||||||||
| Chief Judge: | MICHAEL PETRONE | ||||||||||||||||||||||
| Tabulator: | BILLIE PETRONE | ||||||||||||||||||||||
| Field Visual | Technique | 76 | 77 | 81 | 74 | 92 | 75 | 82 | 84 | 88 | 90 | 87 | 89 | 91 | 95 | 96 | 97 | ||||||
| STAN RUCHLEWICZ | Excellence | 75 | 73 | 79 | 74 | 91 | 77 | 80 | 81 | 88 | 89 | 86 | 88 | 90 | 94 | 95 | 97 | ||||||
| TOTAL | (200) | 151 | 150 | 160 | 148 | 183 | 152 | 162 | 165 | 176 | 179 | 173 | 177 | 181 | 189 | 191 | 194 | ||||||
| Ensemble Visual | Composition | 73 | 76 | 78 | 81 | 91 | 85 | 79 | 77 | 88 | 86 | 94 | 89 | 92 | 96 | 93 | 95 | ||||||
| SAL ADAMO | Excellence | 69 | 71 | 75 | 78 | 93 | 86 | 76 | 79 | 87 | 84 | 92 | 88 | 90 | 94 | 92 | 96 | ||||||
| TOTAL | (200) | 142 | 147 | 153 | 159 | 184 | 171 | 155 | 156 | 175 | 170 | 186 | 177 | 182 | 190 | 185 | 191 | ||||||
| VISUAL AVERAGE | (20.00) | 14.65 | 14.85 | 15.65 | 15.35 | 18.35 | 16.15 | 15.85 | 16.05 | 17.55 | 17.45 | 17.95 | 17.70 | 18.15 | 18.95 | 18.80 | 19.25 | ||||||
| Field Percussion | Technique | 77 | 72 | 74 | 75 | 80 | 88 | 76 | 92 | 90 | 87 | 97 | 89 | 87 | 99 | 96 | 98 | ||||||
| JOHN FLOWERS | Musicianship | 75 | 71 | 73 | 74 | 80 | 92 | 75 | 93 | 92 | 88 | 97 | 92 | 91 | 98 | 96 | 97 | ||||||
| TOTAL | (200) | 152 | 143 | 147 | 149 | 160 | 180 | 151 | 185 | 182 | 175 | 194 | 181 | 178 | 197 | 192 | 195 | ||||||
| Ensemble Percussion | Musicality | 78 | 74 | 77 | 76 | 84 | 86 | 81 | 87 | 91 | 86 | 97 | 90 | 88 | 96 | 95 | 98 | ||||||
| JOHN STAUFFER | Performance | 79 | 74 | 76 | 75 | 82 | 85 | 81 | 88 | 90 | 87 | 97 | 88 | 89 | 95 | 93 | 98 | ||||||
| TOTAL | (200) | 157 | 148 | 153 | 151 | 166 | 171 | 162 | 175 | 181 | 173 | 194 | 178 | 177 | 191 | 188 | 196 | ||||||
| PERCUSSION AVERAGE | (20.00) | 15.45 | 14.55 | 15.00 | 15.00 | 16.30 | 17.55 | 15.65 | 18.00 | 18.15 | 17.40 | 19.40 | 17.95 | 17.75 | 19.40 | 19.00 | 19.55 | ||||||
| Field Brass | Quality of Technique | 73 | 68 | 72 | 81 | 85 | 91 | 82 | 86 | 84 | 89 | 95 | 97 | 93 | 98 | 94 | 96 | ||||||
| VIC CHESTER | Musicianship | 74 | 76 | 73 | 82 | 82 | 89 | 80 | 84 | 81 | 87 | 94 | 95 | 91 | 97 | 93 | 98 | ||||||
| TOTAL | (200) | 147 | 144 | 145 | 163 | 167 | 180 | 162 | 170 | 165 | 176 | 189 | 192 | 184 | 195 | 187 | 194 | ||||||
| Ensemble Brass | Musicality | 75 | 74 | 78 | 80 | 94 | 91 | 88 | 89 | 90 | 91 | 96 | 93 | 91 | 94 | 95 | 95 | ||||||
| JOE SZABO | Sound Quality/Technique | 73 | 71 | 78 | 79 | 92 | 90 | 87 | 88 | 86 | 89 | 93 | 90 | 91 | 94 | 92 | 96 | ||||||
| TOTAL | (200) | 148 | 145 | 156 | 159 | 186 | 181 | 175 | 177 | 176 | 180 | 189 | 183 | 182 | 188 | 187 | 191 | ||||||
| BRASS AVERAGE | (20.00) | 14.75 | 14.45 | 15.05 | 16.10 | 17.65 | 18.05 | 16.85 | 17.35 | 17.05 | 17.80 | 18.90 | 18.75 | 18.30 | 19.15 | 18.70 | 19.25 | ||||||
| Visual Effect | Design Effect | 79 | 78 | 80 | 82 | 84 | 83 | 85 | 85 | 88 | 91 | 92 | 87 | 94 | 95 | 96 | 97 | ||||||
| ERIC SMITH | Performer Effect | 77 | 75 | 81 | 84 | 87 | 85 | 82 | 80 | 88 | 90 | 87 | 87 | 92 | 96 | 93 | 97 | ||||||
| TOTAL | (200) | 156 | 153 | 161 | 166 | 171 | 168 | 167 | 165 | 176 | 181 | 179 | 174 | 186 | 191 | 189 | 194 | ||||||
| Music Effect | Repertoire Effect | 77 | 73 | 80 | 82 | 92 | 89 | 85 | 88 | 89 | 90 | 95 | 89 | 90 | 92 | 94 | 97 | ||||||
| BOB GROSS | Performer Effect | 77 | 72 | 79 | 82 | 92 | 93 | 89 | 88 | 84 | 90 | 93 | 89 | 91 | 91 | 92 | 95 | ||||||
| TOTAL | (200) | 154 | 145 | 159 | 164 | 184 | 182 | 174 | 176 | 173 | 180 | 188 | 178 | 181 | 183 | 186 | 192 | ||||||
| EFFECT TOTAL | (40.0) | 31.0 | 29.8 | 32.0 | 33.0 | 35.5 | 35.0 | 34.1 | 34.1 | 34.9 | 36.1 | 36.7 | 35.2 | 36.7 | 37.4 | 37.5 | 38.6 | ||||||
| Color Guard Effect | Design Effect | 72 | 80 | 78 | 84 | 93 | 77 | 80 | 78 | 91 | 88 | 89 | 86 | 92 | 94 | 95 | 98 | ||||||
| ANTOINE BLALARK | Performer Effect | 70 | 80 | 79 | 85 | 92 | 77 | 78 | 75 | 90 | 86 | 89 | 84 | 91 | 94 | 94 | 95 | ||||||
| TOTAL | (20.0) | 14.2 | 16.0 | 15.7 | 16.9 | 18.5 | 15.4 | 15.8 | 15.3 | 18.1 | 17.4 | 17.8 | 17.0 | 18.3 | 18.8 | 18.9 | 19.3 | ||||||
| Total Score | 75.85 | 73.65 | 77.70 | 79.45 | 87.80 | 86.75 | 82.45 | 85.50 | 87.65 | 88.75 | 92.95 | 89.60 | 90.90 | 94.90 | 94.00 | 96.65 | |||||||